When recording with a microphone separate from the camera you will need to decide - are you recording anybody talking?
You will need two people:
Sound Recordist - Who listens to the sound on headphones and judges if it's okay.
Boom Operator - Who holds the microphone in the best position.
This time one person is enough:
Your Sound Recordist holds the microphone and listens on headphones. This is fun and really helps you to understand how the microphone works.
This can take quite some time to do properly, perhaps an hour or more. Check you have everything together before you start.
Camera Instructions Do you have the instructions for the camera? If so, a sound recordist should try to make sense of any information relating to sound, particularly about setting sound recording levels (but don't worry if you can't set the levels).
| comment | item | notes |
|---|---|---|
|
what you need |
Headphones with a mini-jack connector at the end of the cable An Extension for the headphone cable (mini-jack socket to mini-jack plug) |
Essential _ _ Useful |
|
what you do |
Plug in the headphones using the extension if you have one |
The socket may be hidden under a rubber cover |
|
what you need |
A Suitable Microphone A clip or mount which you will use to attach the mic to a pole, mic stand or hand holding 'pistol grip'. |
Microphones are delicate! Never leave a mic lying on the floor. Find a safe place and make sure it can't get knocked. |
|
what you need |
A cable to take the sound from the mic to the camera. This needs to be a minimum of 3 metres long. An Extension for the mic cable so you can get the mic nearer to the action, if you need to. |
Be careful where your cables are going. Make sure they lie flat on the ground and are not likely to trip someone. Don't place them in front of doorways or across corridors. |
|
what you need |
A suitable pole to use for a boom |
|
|
what you do |
Fit the microphone gently into its clips and screw or attach it securely with tape to the end of the pole. |
|
|
what you do |
Connect the mic cable from the microphone to the camera. |
|
|
what you do |
A blank video tape AND either mains or battery power for the camera |
Label the tape with the date and give it a title and a number. |
|
what you do |
Switch the camera on and put the tape in. Switch the camera to 'standby' or 'record pause'. If you can only go into record, do so. |
|
|
what you do |
The Boom Operator talks NORMALLY into the mic while the recordist listens. (If you’re on your own, talk into it yourself – you can always say 1-2-1-2-1-2!) Take time to get the idea of what the mic picks up. |
Don’t shout! Swap places and also try it on your own, listening on the headphones while you talk into the mic or point it at other people. |
If you know how to adjust manual sound levels on the camera, try to make it so the meters hit the middle of the scale when someone is talking normally about half a metre from the mic. If it shows numbers 1-10, set it to about 5 or 6. If there are minus numbers, set it to about -20.
You may be able to set Automatic Gain Control (AGC) to ON or OFF - set it to OFF
If you can't adjust anything, turn the headphone volume control - if there is one - to the centre position.
You are now ready to run a test recording
Okay - How did the test go?
Well Done! You're ready to shoot!
All sorts of things could be wrong with your sound, or maybe there is nothing there. Use our fault finding page to help you out.